Faculty Research Interests

My current research interest is how magic was performed on the early modern stage and how magic interacts with gender norms. I also enjoy the work of editing editions of early modern plays.

I have two main research interests: sports literature and flash fiction. I am interested in how fiction writers and poets use sports to explore issues of identity, gender, race, class, psychology, competition, and civic pride. More recently, I've become interested in flash fictions extremely short narratives typically less than 1,000 words.

My scholarly projects have tended to explore three occasionally overlapping areas: 1) southern fiction and postmodernism, which extends work done for my dissertation, but with a sharper focus on humor (and a less dogmatic application of postmodern theory); 2) the intersection of rock music and literature/literary theory; and perhaps most significantly, 3) the art (and aesthetic philosophies) of Flannery O'Connor, which I have striven to approach from what might be called 'undoctrinaire' perspectives.

I have published several articles on O'Connor, as well as other authors, including Don DeLillo, James Dickey, William Faulkner, Barry Hannah, and Walker Percy. I've also published on Bruce Springsteen, and I am co-editing a collection of essays on explorations of evil in rock music.

My research focuses primarily on all things poetry and poetics. My book, Adelante, is a collection of poetry that examines the relationships between place and loss, juxtaposing the death of my Cuban father with the suffering and resilience of the natural world. I am also interested in global poetic forms and ekphrastic modes. Other creative pursuits include creative nonfiction and place-based writing. My critical interests include immigrant, Latinx, and Caribbean literatures, and I have presented scholarship on writers such as Eduardo C. Corral and Derek Walcott. Whether crafting original poetry or critically engaging literature by others, I am interested in how images conceal and reveal ideas.  

• 20th and 21st Century American Poetry and Poetics
• Multiethnic American Literature
• Jewish Studies
• Ecopoetry

• Prose Craft
• Fiction Writing
• Narratology 
• U.S. Literature
• Genre Fiction 
• Radical Print Culture

I research transatlantic modernism and feminist science fiction. My central interest is in how experimental literature encodes and enacts social change.

My research interests include fiction writing and narrative theory. In addition, I hear the cases of juvenile offenders in Chester, and I taught one class a day at Chester High School for the school year. I am concerned about the school-to-prison pipeline, juvenile sentencing practices, and mass incarceration.

My research interests are literature of the Middle Ages, particularly Arthurian Literature, 19th-century writers, and the correlation between literature and popular fiction and film.

My book manuscript, Publishing Personality: Romantic Periodicals and the Paradox of Living Authorship, examines how the media environment of the British Romantic periodical plays host to an extended attempt to theorize, narrativize, and stabilize the meaning of the contemporary, crystallizing it through the figure of the living author. Caught between the copyright accorded to books, and their own position as paid piece-workers, periodical writers identify the ‘living author’ as a problematic state—stressing the conditional, serial features of authorship in practice, and probing the uncertainty of contemporary judgments about literary value, authorial life, and even truth. My chapters survey crises and scandals in the periodical sphere; from the famous personal attacks on Keats and Leigh Hunt, to the misogynistic reviewing of female novelists like Fanny Burney and Sydney Owenson (Lady Morgan), to the uproar over the political apostasies of Wordsworth, Coleridge, and Southey. I argue that periodicals understand the living author as incarnating the problems of making sense of a rapidly-changing contemporary world. Paradoxically, the periodical’s vexed engagement with the living author as a threat ends up elaborating the concept, constructing publication as a guarantor of self and identity and the periodical as the space where the author can construct a sense of truth and authenticity, even at times in defiance of the material realities that surround them.

I am also at work on a digital humanities project, which involves the production of a TEI-compliant edition of the Blackwood’s Edinburgh Magazine series “Noctes Ambrosianae”. This collaboratively-authored magazine series has proved a source of enduring delight and scandal (for its contemporaries) and of scholarly fascination (for Romanticists today). The edition does not merely reproduce the portion of the series produced under the leadership of John Gibson Lockhart, but also tags important semantic and textual features including the use of languages and dialects, the representation of historical figures, and the inscription or performance of different attributes of class, gender, and nationality. With the end goal enhanced searchability and extractability, the edition aims to promote engagement with the series from scholars across Romantic literary and historical studies. Undergraduate students in Widener University’s Textual Scholarship Certificate Program contribute to the production of the edition.